I was best mates with Screaming Lord Sutch for a while. Ian (my computing student) Bunny & meīunny was famous for her party hosting, and attracted an eclectic crowd. She was often on Python sets, and introduced John Cleese to his first wife, Connie Booth, who had starred in one of Bunny’s comic shorts. Anyway, Bunny had an interesting “career” and was close friends with Yoko & John Lennon from her guerrilla art days, Jimmy Hendrix, also Graham Chapman and some of the Pythons.
Enochian chess 12 update#
At least one political biography that I have is very good, I might update it for sub-Hollywood production in the future. Woody Allen was in her NY film school class, and many of her friends went on to become big stars, but B was too much of a socialite, and was unable to get her screen plays produced. She had an interesting life including appearances in Andy Warhol movies, and early success with a short film with Hollywood beckoning. There is unseen footage from these and other films, and interviews with Bunny before her death which I will edit together. Will post at posthuman university side when sorted, this footage give unique insights from a period of very rapid evolution and transformation in film-making.ĭocumentaries include the Homeless and their Dogs, Gipsy persecution in Hungary, a study of Tattoo’s and Tattoo artists, Momento Mori – a film of an elderly lady after her death, and our pursuit of Cocoa plant agricultural sabotage in Brazil. I have boxes to sort through, and am sure I have forgotten some projects which will come as a surprise when I rediscover them. After Bunny’s passing I inherited the huge shoulder-harnress digital camera which remains in my garage and has less capability than a modern smartphone, digital tape-decks and lots footage together with all rights, except for the lost Orson Welles tapes matter and story of his aristocratic Sicilian producer. We made two versions of a 3D hologram of Marty, of which he has one and I the other. At NY film school, Bunny’s teacher was Marty Scorsese, who would call at Bunny’s flat sometimes when in London. Bunny was also a judge at some international film festivals, and we actually won an award in Poland for one of our films. As editor, sound engineer and roadie with director Bunny Dexter’s “Bundex Films”, the three of us (Eugene Smith was cameraman) travelled to various parts of the world making political, environmental and quirky documentaries during the first age of digital video.
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